|--------------------7--------------------------------------|
|--9--7h9p7h9p7h9-----9--7h9p7h9p7h9--9---------------------|
|---------------------------------------10-10~--9-10-9-10~--|
|-----------------------------------------------------------|
Janick Gers plays the above part on the 2nd, 3rd and 4th strings
between frets 2-5. Try both and see what you think.
BASSLINE:
The bass is mainly just E and C as follows, except for before the
second verse he goes to D for one cycle.
This is the bassline for most of the song.
I'll just show the basic notes. Listen for the strum pattern.
|---------------------------------|----------|-----------|
|----------5--------------5-------|---5------|---5-------|
|--7-----5---5---7------5---5---3-|-5---5--5-|-5---5--7--|
|---------------------------------|----------|-----------|
                                       ^
                               Before 2nd Verse only
VERSE:
The following riff goes with all the verses. Listen for the
16th note strumming and the rests at the start of the first verse.
The G chord denoted below is an inversion of a G5 (power chord).
It should be played with an upstroke i.e. the G note first while
the D power chords should be played with down strokes.
For the C5 I've shown the open E note on the sixth string in
brackets. This is sometimes played whether by accident or design.
It gives the 1st inversion of a C major triad.
    E5      D  G  D   E5          D  G  D   C5          D  G  D
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|---9-------7--5--7---9---9-------7--5--7---5---5-------7--5--7---|
|---7-------5--5--5---7---7-------5--5--5---3---3-------5--5--5---|
|---0---------------------0--------------------(0)----------------|
CHORUS:
The chorus is really just D to E (implied minor) but between the
singing Dave strums a pattern on the second fret. This is done
with the pad of the first finger and lifted up where necessary.
Once again, listen for the strumming.
    Oh, Oh,...          Oh