--------------- FIDO MESSAGE AREA==> TOPIC: 166 MUSIC Ref: F3E00142 Date: 03/09/98 From: HERMAN SCHONFELD Time: 05:32pm \/To: DENNIS LEONG (Read 0 times) Subj: Puff Daddy DL>before :) So I guess I came down on you hard because I hate those DL>types DL>of fans HS> So do I. The only thing I like about fans is their money, HS> hopefully, something I will get (someday)! DL>uh... so you're not really an artist doing what you do for the sake of DL>doing DL>it, huh? :) DL>I just wanna play, and if people like it, great! Any "artist" doing it for the sake of doing it should be shot and killed immediatly. You'll get no-where like that, most people think a good band takes years to reherse and learn etc etc when in reality it doesn't take long at all. what angers me is watching mtv and seeing such crap songs getting so high on those damn charts when i can pull a better song out of my ass. hmm, wel wasn't that offtopic abit. oh well HS> MM like to call themselves "shock-rock", but alot of the stuff DL>sounds HS> industrial to me. I suppose industrial is the most appropriate DL>term. DL>ugh. When you call yourself shock-rock, it's so obvious everything you DL>do DL>is fake and purposely for the sake of shocking people. DL>You know what I heard? The band Mayhem are gonna record their singer DL>screaming as he cuts himself with razors onstage and use it in a DL>recording DL>or maybe a live album... hahah and they're not doing it for shock, they DL>do it for real! So maybe it's better if MM aren't doing stuff for real Ofcourse mm don't do it for real. They get sh!tloads of money for playing stuff which i suppose is good. but they could play crappier stuff and still get away with millions. HS> The drummer sucks - not necessarily in how good he can play, but as DL>is HS> in the beats he applies to the songs. They aren't very HS> interesting. Some of the good beats turn out to be (like HS> you mentioned) drumloops, and break-beats, and as far as I HS> know Mmanson (singer) makes them. However, the beats are HS> fit okay for most songs and the guitar + vocals + lyrics HS> certainatly make up for the loss. DL>I think the songs feature MM himself too much and the rest of the band DL>are DL>sub-par because all singers have egoes the size of Manhattan. So the DL>band DL>suffers for him. well mm is the founder of the band, and since most of todays stupid society dont really care about the music, they just care about the "image" of the band mm needs to feature himself with an attitude problem etc etc. imagine mm without all their satanic image (they're not even satanists) and their stuff wouldn't be so popular. a good band has good music + good visual + identity. (commercial band that is, crap bands who play in clubs and sh!t like that suck and dont count) HS> As far as I know, our bandname changes every week. (any suggestions HS> welcome) DL>ugh we're having trouble enough with a name. So far we've gone through DL>Morticide and Asphyxiate oh well HS> The type of music we play is hard industrial. Alot of our HS> songs are hard/death (like the beautiful people , except HS> better!). DL>hard/death? I've never heard of that before. My band plays death metal. DL>Kind DL>of a broad definition, but we play many different kinds of death DL>(melodic, DL>brutal, mixture) so it's weird. One song is a 2 minute Cannibal DL>Corpse-type DL>tune and the next one is a 6 minute melodic Morbid Angel-type song. DL>Makes DL>for an interesting mixture. Hard/Death is a new-type of style. Mix prodigy with manson and you'll get the idea. or if you've played the game Doom listen to some of that stuff, its like that. HS> Alot of the ROOTS tracks are more commercial (believe it or HS> not) compared to their older stuff. The only song I like HS> from roots is track 8, and it's not that good! DL>I know Roots is commercial, that's why the songs suck! they arent taht bad ... HHeellpp.. II''mm ssttuucckk iinn hhaallff--dduupplleexx. --- Ezycom V1.48g0 01fd016b * Origin: Fox's Lair BBS Bris Aus +61-7-38033908 V34+ Node 2 (3:640/238) --------------- FIDO MESSAGE AREA==> TOPIC: 166 MUSIC Ref: F3E00143 Date: 03/09/98 From: HERMAN SCHONFELD Time: 05:32pm \/To: DENNIS LEONG (Read 0 times) Subj: My electric guitar. -=> Quoting Herman Schonfeld to Dennis Leong <=- DL>And what happened to the band members adopting nicknames that were a DL>combination of "beautiful" people and killers? (i.e. Marilyn Monroe DL>+ DL>Charles DL>Manson = Marilyn Manson, David (not sure, but the Son of Sam killer) DL>Berkowitz + Daisy whatever = Daisy Berkowitz?) HS> Thinking of becoming one of the hard-core fans, eh? DL>No, I just read about serial killers, that's all. Suure ... 640K ought to be enough for anybody. -Bill Gates, 1981. --- Ezycom V1.48g0 01fd016b * Origin: Fox's Lair BBS Bris Aus +61-7-38033908 V34+ Node 2 (3:640/238) --------------- FIDO MESSAGE AREA==> TOPIC: 166 MUSIC Ref: F3E00144 Date: 03/05/98 From: SEBASTJAN ZUPAN Time: 11:50am \/To: JAVIER COLS (Read 0 times) Subj: Rem (1/2) JC> I'd be happy if you send me R.E.M lyrics of Automatic for... thanx R.E.M.: AUTOMATIC FOR THE PEOPLE # DRIVE This version is from the lyric sheet distributed to participants in the "Drive" video, the only difference from the songbook lyrics being the use here of the title in the song (vs. "tried"). Smack, crack, bushwhacked. Tie another one to the racks, baby. Hey kids, rock and roll. Nobody tells you where to go, baby. What if I ride? What if you walk? What if you rock around the clock? Tick-tock. Tick-tock. What if you did? What if you walk? What if you tried to get off, baby? Hey, kids, where are you? Nobody tells you what to do, baby. Hey kids, shake a leg. Maybe you're crazy in the head, baby. Maybe you did. Maybe you walked. Maybe you rocked around the clock. Tick-tock. Tick-tock. Maybe I ride. Maybe you walk. Maybe I drive to get off, baby. Hey kids, shake a leg. Maybe you're crazy in the head, baby. Ollie, ollie. Ollie ollie ollie. Ollie ollie in come free, baby. Hey, kids, where are you? Nobody tells you what to do, baby. Smack, crack. Shack-a-lack. Tie another one to your back, baby. Hey kids, rock and roll. Nobody tells you where to go, baby. Maybe you did. Maybe you walk. Maybe you rock around the clock Tick-tock. Tick-tock. Maybe I ride. Maybe you walk. Maybe I drive to get off, baby. Hey kids, where are you? Nobody tells you what to do, baby. Hey kids, rock and roll. Nobody tells you where to go, baby, baby, baby. # TRY NOT TO BREATHE I will try not to breathe. I can hold my head still with my hands at my knees. These eyes are the eyes of the old, shiver and fold. I will try not to breathe. This decision is mine. I have lived a full life and these are the eyes that I want you to remember. Oh. I need something to fly over my grave again. I need something to breathe. I will try not to burden you. I can hold these inside. I will hold my breath until all these shivers subside, just look in my eyes. I will try not to worry you. I have seen things that you will never see. Leave it to memory me. I shudder to breathe. I want you to remember. Oh. (you will never see) I need something to fly (something to fly) over my grave again. (you will never see) I need something to breathe. (something to breathe) Baby, don't shiver now. Why do you shiver now? (I will see things you will never see) I need something to fly (something to fly) over my grave again. (I will see things you will never see) I need something to breathe. Oh. Oh. Oh. I will try not to worry you. I have seen things that you will never see. Leave it to memory me. Don't dare me to breathe. I want you to remember. Oh. (you will never see) I need something to fly (something to fly) over my grave again. (you will never see) I need something to breathe. (something to breathe) Baby, don't shiver now. Why do you shiver now? (I will see things you will never see) I need something to breathe. (something to breathe - I have seen things you will never see) I want you to remember. # THE SIDEWINDER SLEEPS TONIGHT This here is the place I will be staying. There isn't a number. You can call the pay phone. Let it ring a long, long, long, long time. If I don't pick up, hang up, call back, let it ring some more. If I don't pick up, pick up... The sidewinder sleeps, sleeps, sleeps in a oil Call me when you try to wake her up. Call me when you try to wake her. Call me when you try to wake her up. Call me when you try to wake her. Call me when you try to wake her up. Call me when you try to wake her. There are scratches all around the coin slot like a heartbeat, baby trying to wake up, but this machine can only swallow money. You can't lay a patch by computer design. It's just a lot of stupid, stupid signs. Tell her, tell her she can kiss my ass, then laugh and say that you were only kidding. That way she'll know that it's really, really, really, really me. Call me when you try to wake her up. Call me when you try to wake her. Call me when you try to wake her up. Call me when you try to wake her. Call me when you try to wake her up. Call me when you try to wake her. Baby, instant soup doesn't really grab me. Today I need something more sub-sub-sub-substantial. A can of beans or blackeyed peas, some Nescafe and ice, a candy bar, a falling star, or a reading of Doctor Seuss; Call me when you try to wake her up. Call me when you try to wake her. Call me when you try to wake her up. Call me when you try to wake her. Call me when you try to wake her up. Call me when you try to wake her. The cat in the hat came back, wrecked a lot of havoc on the way, always had a smile and a reason to pretend. But their world has flat backgrounds and little need to sleep but to dream. The sidewinder sleeps on his back. Call me when you try to wake her up. Call me when you try to wake her. Call me when you try to wake her up. Call me when you try to wake her. I can always sleep standing up. Call me when you try to wake her. Call me when you try to wake her up. Call me when you try to wake her. Call me when you try to wake her up. Call me when you try to wake her. I can always sleep standing up. Call me when you try to wake her. Call me when you try to wake her up. Call me when you try to wake her. I can always sleep standing up. Call me when you try to wake her. I can always sleep standing up. Call me when you try to wake her. We've got to moogie, moogie, move on this one. # EVERYBODY HURTS When the day is long and the night, the night is yours alone, when you're sure you've had enough of this life, well hang on. Don't let yourself go, everybody cries and everybody hurts sometimes. Sometimes everything is wrong. Now it's time to sing along. When your day is night alone, (hold on, hold on) if you feel like letting go, (hold on) when you think you've had too much of this life, well hang on. Everybody hurts. Take comfort in your friends. Everybody hurts. Don't throw your hand. Oh, no. Don't throw your hand. If you feel like you're alone, no, no, no, you are not alone If you're on your own in this life, the days and nights are long, when you think you've had too much of this life to hang on. Well, everybody hurts sometimes, everybody cries. And everybody hurts sometimes. And everybody hurts sometimes. So, hold on, hold on. Hold on, hold on. Hold on, hold on. Hold on, hold on. (repeat & fade) (Everybody hurts. You are not alone.) # SWEETNESS FOLLOWS Readying to bury your father and your mother, what did you think when you lost another? I used to wonder why did you bother, distanced from one, blind to the other? Listen here my sister and my brother what would you care if you lost the other? I always wonder why did we bother, distanced from one, deaf to the other. Oh, oh, but sweetness follows It's these little things, they can pull you under. Live your life filled with joy and wonder. I always knew this altogether thunder was lost in our little lives. Oh, oh, but sweetness follows. Oh, oh, but sweetness follows. It's these little things, they can pull you under. Live your life filled with joy and thunder. Yeah, yeah we were altogether lost in our little lives. Oh. Oh. Ah. Oh, oh, but sweetness follows. Oh, oh, but sweetness follows. >>> continue >>> | AmiQWK 2.9 - FREEWARE | ... "WHAT DOESN'T KILL ME - MAKES ME STRONGER !" (c) Biohazard (Mata Leoa). --- * Origin: Skrinca, Zagorje, Slovenija * +386-601-64730 (2:380/128) --------------- FIDO MESSAGE AREA==> TOPIC: 166 MUSIC Ref: F3E00145 Date: 03/05/98 From: SEBASTJAN ZUPAN Time: 11:52am \/To: JAVIER COLS (Read 0 times) Subj: Rem (2/2) # MONTY GOT A RAW DEAL Monty this seems strange to me. The movies had that movie thing, but nonsense has a welcome ring and heroes don't come easy. Now, nonsense isn't new to me. I know my head, I know my feet, but mischief knocked me in the knees. Said, Just let go. Just let go. I saw the ocean meet the man. I saw you buried in the sand. A friend was there to hold your hand, Said, Walk on by. So, I went walking through the street. I saw you strung up in a tree. A woman knelt there said to me, said, Hold your tongue, man. Hold your tongue. You don't owe me anything. You don't want this sympathy. [waste your breath] Don't you waste your breath. [waste your breath] for the silver screen. That nonsense doesn't mean a thing, they tried to bust you in a sting, but virtue isn't everything so, don't waste time. Now, here's a rhyme that you can steal. Put this on your reel to reel. Mischief threw a rotten deal. Monty's laying low, man. He is laying low. Just let go, y'all. Just let go. You don't owe me anything. You don't want this sympathy. [waste your breath] Don't you waste your breath. [waste your breath] Monty this seems strange to me. # IGNORELAND These bastards stole their power from the victims of the Us v. Them years, wrecking all things virtuous and true. The undermining social democratic downhill slide into abysmal lost lamb off the precipice into the trickle down runoff pool. They hypnotised the summer, Nineteen seventy-nine. Marched into the capital brooding duplicitous, wicked and able, media-ready, heartless, and labeled. Super U.S. citizen, super achiever, mega ultra power dosing. Relax. Defense, defense, defense, defense. Yeah, yeah, yeah. Yeah, yeah, yeah. Ignoreland. Yeah, yeah, yeah. Ignoreland. The information nation took their clues from all the sound-bite gluttons. Nineteen eighty, eighty-four, eighty-eight, ninety-two too, too. How to be what you can be, jump jam junking your energies. How to walk in dignity with throw-up on your shoes They amplified the autumn, Nineteen seventy-nine. Calculate the capital, up the republic my skinny ass. T.V. tells a million lies. The paper's terrified to report anything that isn't handed on a presidential spoon, I'm just profoundly frustrated by all this. So, fuck you, man. (Fuck 'm) Yeah, yeah, yeah. Ignoreland. Yeah, yeah, yeah. Ignoreland. If they weren't there we would have created them. Maybe, it's true, but I'm resentful all the same. Someone's got to take the blame. I know that this is vitriol. No solution, spleen-venting, But I feel better having screamed. Don't you? They desecrated winter, Nineteen seventy-nine. Capital collateral. Brooding duplicitous, wicked and able, media-ready, heartless, and labeled. Super U.S. citizen, super achiever, mega ultra power dosing. Relax. Defense, defense, defense, defense. Yeah, yeah, yeah. Yeah, yeah, yeah. Ignoreland. Yeah, yeah, yeah. Ignoreland. Yeah, yeah, yeah. Ignoreland. Yeah, yeah, yeah. # STAR ME KITTEN Keys cut, three for the price of one. Nothing's free but guaranteed for a lifetime's use. I've changed the locks and you can't have one. You, you know the other two. The brakes have worn so thin that you could hear, I hear them screeching through the door from our driveway. Hey love, look into your glovebox heart. What is there for me inside? This love is tired. I've changed the locks. Have I misplaced you? Have we lost our minds? Will this never end? It could depend on your take. You. Me. We used to be on fire. If keys are all that stand between, Can I throw in the ring? No gasoline. Just fuck me kitten. You are wild and I'm in your possesion. Nothing's free so, fuck me kitten. I'm in your possesion. So, fuck me kitten. # MAN ON THE MOON Mott the Hoople and the game of Life. Yeah, yeah, yeah, yeah. Andy Kaufman in the wrestling match. Yeah, yeah, yeah, yeah. Monopoly, Twenty one, checkers, and chess. Yeah, yeah, yeah, yeah. Mister Fred Blassie in a breakfast mess. Yeah, yeah, yeah, yeah. Let's play Twister, let's play Risk. Yeah, yeah, yeah, yeah. See you heaven if you make the list. Yeah, yeah, yeah, yeah. Hey, Andy did you hear about this one? Tell me, are you locked in the punch? Hey Andy are you goofing on Elvis? Hey, baby. Are we losing touch? If you believed they put a man on the moon, man on the moon. If you believe there's nothing up my sleeve, then nothing is cool. Moses went walking with the staff of wood. Yeah, yeah, yeah, yeah. Newton got beaned by the apple good. Yeah, yeah, yeah, yeah. Egypt was troubled by the horrible asp. Yeah, yeah, yeah, yeah. Mister Charles Darwin had the gall to ask. Yeah, yeah, yeah, yeah. Hey Andy did you hear about this one? Tell me, are you locked in the punch? Hey, Andy are you goofing on Elvis? Hey, baby. Are you having fun? If you believed they put a man on the moon, man on the moon. If you believe there's nothing up my sleeve, then nothing is cool. Here's a little agit for the never-believer. Yeah, yeah, yeah, yeah. Here's a little ghost for the offering. Yeah, yeah, yeah, yeah. Here's a truck stop instead of Saint Peter's. Yeah, yeah, yeah, yeah. Mister Andy Kaufman's gone wrestling [wrestling bears]. Yeah, yeah, yeah, yeah. Hey Andy did you hear about this one? Tell me, are you locked in the punch? Hey Andy are you goofing on Elvis, hey baby, are we losing touch? If you believed they put a man on the moon, man on the moon. If you believe there's nothing up my sleeve, then nothing is cool. # NIGHTSWIMMING Nightswimming deserves a quiet night. The photograph on the dashboard, taken years ago, turned around backwards so the windshield shows. Every streetlight reveals the picture in reverse. Still, it's so much clearer. I forgot my shirt at the water's edge. The moon is low tonight. Nightswimming deserves a quiet night. I'm not sure all these people understand. It's not like years ago, The fear of getting caught, of recklessness and water. They cannot see me naked. These things, they go away, replaced by everyday. Nightswimming, remembering that night. September's coming soon. I'm pining for the moon. And what if there were two Side by side in orbit Around the fairest sun? That bright, tight forever drum could not describe nightswimming. You, I thought I knew you. You I cannot judge. You, I thought you knew me, this one laughing quietly underneath my breath. Nightswimming. The photograph reflects, every streetlight a reminder. Nightswimming deserves a quiet night, deserves a quiet night. # FIND THE RIVER Hey now, little speedyhead, the read on the speedmeter says you have to go to task in the city where people drown and people serve. Don't be shy. Your just deserve is only just light years to go. Me, my thoughts are flower strewn ocean storm, bayberry moon. I have got to leave to find my way. Watch the road and memorize this life that pass before my eyes. Nothing is going my way. The ocean is the river's goal, a need to leave the water knows We're closer now than light years to go. I have got to find the river, bergamot and vetiver run through my head and fall away. Leave the road and memorize this life that pass before my eyes. Nothing is going my way. There's no one left to take the lead, but I tell you and you can see we're closer now than light years to go. Pick up here and chase the ride. The river empties to the tide. Fall into the ocean. The river to the ocean goes, a fortune for the undertow. None of this is going my way. There is nothing left to throw of Ginger, lemon, indigo, coriander stem and rose of hay. Strength and courage overrides the privileged and weary eyes of river poet search naivete. Pick up here and chase the ride. The river empties to the tide. All of this is coming your way. Lyrics transcribed from songbook. THE END. Zubi | AmiQWK 2.9 - FREEWARE | ... "Yeah, we in the house, Body Count fools, 1997 muthafuckas!" (c) BC --- * Origin: Skrinca, Zagorje, Slovenija * +386-601-64730 (2:380/128) --------------- FIDO MESSAGE AREA==> TOPIC: 166 MUSIC Ref: F3E00146 Date: 03/05/98 From: SEBASTJAN ZUPAN Time: 12:10pm \/To: SANTIAGO LLOBET (Read 1 times) Subj: Iron Maiden: Virtual Xi SL> and what you thinking of the album?... SZ> Heh, the album is not out yet (as I know on 23 march & SZ> first single on 3rd March). I will buy it 100%! SL> I know... but the new single's of Virtual XI it's ready yet SL> and play in the radio's... that this i talk... Well, here in our radio stations, you don't here such a stuff. :-( We got only on saturdays one Metal show (called HARD 'N' HEAVY), but I don't listen anymore. I mean: I don't even know if is still played on... SL> sorry for my inglish "loco" im not exprising good but i wish you SL> andenstanding Aj anderstend. :-) SL> (i think the better languish is the spanish its more SL> expresive what do you think?) I don't think nothing. :-) I mean: i don't give a s**t. SL> And for finish... what is the best album PowerSlave or SL> Number of the Beast?... SL> For my the best album is Powerslave... Jep, Powerslave. Zubi | AmiQWK 2.9 - FREEWARE | ... The name will be: PENTIUM. The price will be: PLENTIUM. --- * Origin: Skrinca, Zagorje, Slovenija * +386-601-64730 (2:380/128) --------------- FIDO MESSAGE AREA==> TOPIC: 166 MUSIC Ref: F3E00147 Date: 03/09/98 From: RICK MCBROOM Time: 05:07pm \/To: MARTIN RIDGLEY (Read 0 times) Subj: NP: ...music! -=> Quoting Martin Ridgley to Rick Mcbroom <=- RM>> NP: C. Hogwood & tAoAM "Mozart's Clarinet Concerto in A major K622" MR> Nice piece. Yep! MR> Mozart is not one of my favourite composers, but I do like some MR> of his work, including that concerto. Same here. The Mozart works that I enjoy most are the ones that were probably dismissed as "pop music" in his day. ;-) MR> And IMHO, that version is one of the best, too. That's good to know! 'Twas sheer luck I picked that one, though. It's the first and only recording of the work that I've heard. But you can't go to far wrong with Hogwood and the Academy of Ancient Music. I presume you've read the liner notes? Quite a fascinating history lesson on the clarinet itself. It seems the instrument that we know today is lots different than it was in Mozart's time. MR> On a related note, when I'm typing messages and listening to classical MR> music, I don't usually bother adding an `NP:' line. I figure that most MR> people on this echo won't know or care about it. Well, it got a rise out of YOU. ;-) But I do the same, sometimes. And if I'm listening to the radio, and can't identify the song that's playing (common with WEVL!), I usually leave out the "NP" line. MR> OTOH, I suppose the same could be said for a lot of the so-called MR> `popular' music I listen to! ;-\ Heh. Yeah, and the same's probably true of the 'roots' music that's frequently playing as I do the mail. NP: Alison Moyet _Essex_ "Boys own" A new acquisition, a $1.99 cutout. This is my first listen, and I'm definitely enjoying it! ... Avoid cliches like the plague. --- GEcho 1.11+ * Origin: The Music Room, Memphis TN (1:123/38) --------------- FIDO MESSAGE AREA==> TOPIC: 166 MUSIC Ref: F3E00148 Date: 03/09/98 From: RICK MCBROOM Time: 05:07pm \/To: MARTIN RIDGLEY (Read 0 times) Subj: Bargains or beer-coasters? -=> Quoting Martin Ridgley to Rick Mcbroom <=- RM>> Parks, Van Dyke _Tokyo Rose_ (WB 25968, 1989).. MR> Hehe... I've always been intrigued - mainly because, like you MR> it seems, I liked some of his wacky lyrics.. Yes, the slightly warped lyrics definitely appeal to me. MR> ..never actually bought anything. It seems as if I might have MR> made the right decision for a change! ;-) You certainly should stay away from _Tokyo Rose_! It seems that with Mr. Parks, you've got to pick the RIGHT album. David and Kenneth recommend _Discover America_ and _Clang of the Yankee Reaper_, and I'd like to try them. But I'm not /quite/ willing to pony up full list-price for them. ;-) RM>> Partland Brothers _Electric Honey_.."beefcake pretty boy MOR rock".. MR> That's pretty much what they were. They produced a couple of fairly MR> decent MOR songs ("Soul City" was their biggest hit, and still gets MR> occasional radio play).. Well, it's not a /bad/ song.. but it doesn't strike me as "hit material". MR> ..but otherwise they were a pretty forgettable blip on the MR> Canadian music scene. I don't reckon they even registered on the scale, here in Memphis. ;-) RM>> ..it's got Domenic Troiano..on lead and 'additional' guitars. MR> At a dollar, I too would have bought it to hear Domenic's work. I'm not surprised! MR> Oh well... Exactly. You gotta figure that empty/replacement jewel cases go for a buck at most places, so it's hard to go wrong at that price! MR> ... All the world's a stage - and most of us are sadly unrehearsed. Heh. Too true. ... Take care that your verb and subject is in agreement. --- GEcho 1.11+ * Origin: The Music Room, Memphis TN (1:123/38) --------------- FIDO MESSAGE AREA==> TOPIC: 166 MUSIC Ref: F3E00149 Date: 03/09/98 From: RICK MCBROOM Time: 05:07pm \/To: MARTIN RIDGLEY (Read 0 times) Subj: Lyle Lovett/B.O.C. -=> Quoting Martin Ridgley to Rick Mcbroom <=- re: "Lyle Lovett" - Lyle Lovett MR> I think his first four albums or so got progressively better. No argument there. _Pontiac_ and _JJR_ are certainly good albums! MR> I haven't heard anything after _Joshua Judges Ruth_ though. Nor have I. Not complete albums, anyway. I have heard the odd song here and there, and I have a video & several live radio performances that are post-JJR. RM>> ... NP: Blue Oyster Cult _Imaginos_ MR> With so much great music around, wat on earth inspired you to MR> play *that* one again?! ;-) Aw heck, it ain't THAT bad. I really like the reworked "Astronomy", for instance. But the real reason is that Juha Lindroos and I were discussing the story and lyrics as literature, over in the SF echo, and so I hauled it out for a spin. ;-) ... NP: Nils Lofgren "Trouble's Back" --- GEcho 1.11+ * Origin: The Music Room, Memphis TN (1:123/38) --------------- FIDO MESSAGE AREA==> TOPIC: 166 MUSIC Ref: F3E00150 Date: 03/08/98 From: BOJAN BAJSIC Time: 01:43pm \/To: ROGIER VAN EETEN (Read 0 times) Subj: Noisecore -> Rogier Van Eeten said something. Bojan no like. Bojan kick ass. <- BB>from Pure Noise Project (PNP), some of the hardest shit around, but they're BB>quite young so they don't have much songs yet... RVE> Oh, now your talking 'bout that. There 's a Composition Competion at RVE> http://www.d-zign.com/bmpcompo2/ and there are some great mods there. Been there... the one from duracell is quite good :)) i kinda remixed it for my own listening pleasure :) RVE> This week I will put some there. Ql.. and your alias? RVE> BTW. What's the adress of PNP? WOuldn't know by heart...ummm... waita... Ahh.. umm.. only thing i could find in their modulez is: hem1.passagen.se/frbj5355/ This maybe their page, or it is NEX's page (he's one of their compozers so there should be a link there or sth.) --- O B S C U R E --- ... Meow! ___ Blue Wave/386 v2.30 --- FidoPCB v1.5 beta-'k' * Origin: MojsteR +386-68-325555 (2:380/101) --------------- FIDO MESSAGE AREA==> TOPIC: 166 MUSIC Ref: F3E00151 Date: 03/08/98 From: SEBASTJAN ZUPAN Time: 11:08am \/To: MARTIN RIDGLEY (Read 0 times) Subj: Pearl Jam >>> Martin Ridgley VS Grant Batdorf <<< GB> Vitalogy was good, but not as good. MR> You're the first person I've heard say that _Vitalogy_ MR> was any good at all! I like all five (5) of them! MR> I think it's one of the worst rock albums so far this decade! Spin the black circle, Not for you, Nothingman, Corduroy, Better man and *specially* IMMORTALITY kicks... & Bugs is really weird (but great), hehehe. NP - PEARL JAM: Last Exit. . Zubi | AmiQWK 2.9 - FREEWARE | ... "The world is a vampire." (c) Smashing Pumpkins --- * Origin: Skrinca, Zagorje, Slovenija * +386-601-64730 (2:380/128)